By reading into an article such as this one, I can venture a guess that you are looking to learn a good bit about the impressive film “Saving Private Ryan” and why you might care to watch it or learn more about it. The truth is, there are several different reasons that this film is so impressive, and most of them will be brought out in the upcoming paragraphs, along with a plot synopsis.

It is no surprise that the man behind all of the action of this impressive film was none other than one of the most decorated directors of all time: Steven Spielberg. From his impressive feats to bring emotion to the audience through visual displays unlike anything they had ever seen before, this film does not disappoint.

Just by watching the first thirty minutes of the film, you will see one of the most graphic, exciting and dramatic opening sequences that might have ever been captured on film. This is meant to be a soldier’s first hand view of D-Day. So you head from the boats to the other side of the beaches at Normandy along with several different soldiers and see the horror of war first hand.

When the action plateaus here, you are introduced to the main character of the piece, Captain John H. Miller and his company of men from all over the United States. They soon learn their new orders, which are to be the search and rescue unit to locate a paratrooper named Private James Ryan. However, this proves to be a rather difficult task in war torn Europe.

Why are they trying to find Private Ryan? Well, his three brothers all serve in the military and have all recently been killed in action. So Ryan is given a pass to go home and be with his grieving family and prevent his mother from losing all four of her sons to World War II. Miller’s company is less than shy about telling him what they feel about looking for the Private, and if they think he deserves a free ticket home.

Through the course of the film, you share triumph and tragedy with the men of this company. You learn more about their lives before the war, and their plans for when it is all said and done. When they do reach Ryan, he is given the news and still refuses to leave his current company. They are responsible to secure an Allied bridge. If Ryan leaves, they may not be able to do this and Miller’s company aids them in making a heroic stand that is both a tragedy and a triumph rolled into one.

This is a blatant representation of war. This is the full range of emotions that someone in World War II might have experienced. You will cry along with them, laugh with them, celebrate with them, and fear for them when they fear for themselves. This film is littered with incredible performances, like Matt Damon as Private Ryan, Tom Hanks as Capt. John Miller and Tom Sizemore as Sgt. Mike Horvath.

If you cared to learn more about Saving Private Ryan, than this article should have given you a great introduction to this film and given you a reason to watch it if you haven’t. While there are so many things to appreciate about this movie, you will likely appreciate something unique and special as so many have.

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Additional Resources

• Can “combat Conditioning” Improve Your Appearance? | Weight Training Coach Wendell Bullard
• The Movie Hit Saving Private Ryan With Tom Hanks | The Online Resources Directory Database
• Saving Private Ryan Blu-ray Review | BlurayDaily.com

The Last Dragon was a film produced by Motown Records in the mid-eighties, and while it was sort of created as a way to market a few singles, notably Oh Sheila, the film still stands as a pretty good Kung Fu movie, a good comedy, and one of the all time must download movies of the eighties. It’s fun, funny, sort of corny and very eighties.

The film follows Bruce Leroy, or so is his nickname. He’s a young martial artist from Harlem who works for his father’s pizza parlor while teaching Kung Fu to the local neighborhood kids. Throughout his adventures, he also has to keep his cool and composure while dealing with his rival, Sho’Nuff, who’s always trying to get a rise out of him. Sho’Nuff, you see, is the Shogun of Harlem… Yep, the Shogun of Harlem. That’s what he likes to call himself.

He really is a great character. Maybe one of the all time classic comedy movie villains. He’s colorful, ridiculous, short tempered and always funny. He wears visor sunglasses (You know, the ones that look like horizontal blinds), as well as shoulder pads, hakama (the baggy pants you always see in samurai films), and a top knot/Rick James kind of hair style. It’s just plain hilarious watching him come on screen. He always starts with his big introductory piece, demanding that his lackeys affirm his meanness, badness and prettiness before engaging in any business.

The only downside to the movie is the comparatively less interesting subplot revolving around a really, really awful Cyndi Lauper style singer and her manager/boyfriend who’s trying to get her some airtime on a local music show, produced and hosted by Bruce Leroy’s would-be-lover. This subplot isn’t the most interesting part of the film, but fortunately it’s not a main focus.

But regardless, it is funny, and it does pay off with a big brawl scene at the end when he hires all the meanest guys in the city to attack Bruce Leroy and his students. The end result is a really great rumble scene with Leroy taking on a few dozen hilarious, wild characters before finally beating Sho’Nuff and attaining “The Glow” which is what you call it when they draw a halo of light around your body frame by frame.

There are also some really fun, corny moments along the way. At one point, Leroy tries to seek wisdom from the guy who writes the fortune cookies at the local Chinese restaurant, only to find that they’re written by a computer. Therein he finds that zen wisdom of emptiness and being.

Could the movie have been better without the weird subplot about the record promoter? Sure, but even so, it’s one of the all time classic eighties flicks, and one of the best attempts at spoofing the Kung Fu genre while at the same time honoring it. It’s also just plain a whole lot of fun.

Next time you want a goofy, fun eighties flick, and you want to see a little kung fu while you’re at it, go ahead and give The Last Dragon a download.

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First there were just p2p movie download sites that were challenging the copyright laws. Now you can get movie legally through many subscription style movie download membership sites. Usually they are a great deal.

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Most subscription formed sites offer unlimited downloads. You might have a limit to how many movies you have in your queue but once downloaded or viewed you can go and add more.

Movie download services are so easy to use, that you will find you want to watch more movies than ever before. Plus if you have a newer TV you can connect your computer and TV, allowing those movie downloads to be watched by everyone.

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Boaz Yakin is typically seen as a work-for-hire writer and director. It’s not his fault, he’s just a good writer with bills to pay, so he takes a lot of sub-par studio projects that don’t really offer him anything interesting to do in the script. So it’s weird that a movie like Fresh comes from someone with a track record for mediocrity, but Fresh really is one of the all time must see movie downloads.

Yakin wrote and directed the film after going into exile for some years. He was disillusioned with all the crummy studio work he was getting, all the uninspired, formulaic movies that were really just being made to sell more tickets and put more money in the studio exec’s pockets. He decided to leave Hollywood and not to come back until he had something to say. Fresh, then, is certainly saying something.

Fresh is the name of the young hero of the movie, a child who works as a drug mule for various dealers and scumbags around the city. He makes around twenty to fifty bucks per run, and saves it all up in a coffee can while his dealers have assumed he’s been spending it on comic books and candy bars. What exactly is he saving it for? Well, you’ll find out, and you’ll be honestly shocked and surprised at exactly how deep his plans really go.

Fresh spends each weekend playing chess with his father, an alcoholic genius who’s become estranged from the family. The chess serves as a metaphor for the scheme Fresh is hatching, as well as a sort of Greek chorus scene for the audience and for Fresh himself.

When two of Fresh’s friends are murdered by one of the street dealers he works with, and at the same time, his mother informs him that she’s going to have to give a couple of them up for adoption, Fresh puts a brilliant scheme into motion.

His plan is to basically take down all of the scumbags who have been controlling his life and free himself and his family from the clutches of drug dealers. The brilliant part of this plan is that, because he’s just a child, they never suspect a thing. He plays chess with them in real life, and it has to be seen whether or not he’ll come out on top.

The movie can be brutally violent and shocking, which drives home the reality of Fresh’s situation. The villains are truly menacing, especially the young thug who typically gives Fresh his payments and is in a perpetual state of planning to kill somebody. Fresh is a hero who manages to remain pure, knowing where he can compromise and where he cannot.

It’s a rare film that works this well with such touchy subject material. The film takes a child of ten years old and puts him into a Fistful of Dollars/Yojimbo style plot, scheming and plotting his way to victory over deadly, menacing criminals. It’s incredible how delicate an operation this is, to make the movie exciting and suspenseful without selling short the reality and truth of the subject matter of real life street violence.

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